Alan Fletcher, one of this country's most accomplished music administrators and respected composers, was born in 1956 in Riverside, New Jersey, and earned his baccalaureate at Princeton University (1978) and his master's degree (1979) and doctorate (1983) at Juilliard. He studied composition with Roger Sessions, Milton Babbitt, Edward T. Cone, and Paul Lansky and piano with Jacob Lateiner and Robert Helps. In 1985, Fletcher was appointed to the faculty of the New England Conservatory of Music, teaching composition and theory and serving successively during his 16-year tenure at the school as Dean, Provost, and Senior Vice President. From 2001 to 2006, he was Professor of Music and Head of the School of Music at Carnegie Mellon University in Pittsburgh, after which he assumed his current position as president and CEO of the Aspen Music Festival and School. Fletcher has lectured nationally and internationally on music and music administration and served on many boards, panels, juries, seminars and committees, including the board of the Aspen Institute and the Pittsburgh Opera. He has also contributed articles and op-ed pieces to the Huffington Post, BBC Magazine, The Guardian, Symphony magazine, Gramophone magazine, the Wall Street Journal, Sonus: Journal of Global Music, Pittsburgh Post-Gazette, Baltimore Sun, the Journal of Music Theory Pedagogy, Chronicle of Higher Education, and many others. Fletcher has won numerous composing awards and received commissions from the National Dance Institute, the Pittsburgh Symphony (2008, 2011, and 2015), Los Angeles Philharmonic, Atlanta Symphony, Zurich Chamber Orchestra, Nashua Symphony, National Gallery of Art, Boston Celebrity Series, Duquesne University, New York Camerata, and other noted ensembles, organizations, and soloists. Mr. Fletcher’s Piano Concerto, written for pianist Inon Barnatan, premiered in the summer of 2017 at the Aspen Music Festival and School and Los Angeles Philharmonic’s Hollywood Bowl. He chaired the 1997 Salzburg Seminar Music for a New Millenium: The Classical Genre in Contemporary Society.